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Ep. 12: 'ARGH'

 

Controversy erupts!

 

Okay, not really. But concern is raised. That seems more accurate. Let me explain...

 

This script is about a ghost hunter coming onto the show because the studio is rumored to be haunted by the spirits of three 70's-era morning zoo-type DJ's who were killed there in 1976. The DJ's went by the names of Bo, Zippy... and Faggot.

 

You heard me.

 

"So, Dave. Why, uh... why 'Faggot?'"

 

Well, I'll tell ya. Having a very limited amount of time, I had to establish these DJ's in broad strokes. I had to show they were obnoxious, boorish, unfunny (in a specifically crass way), and very much of their era. As DJ's tend to go by 'zany' nicknames in an attempt to sell their 'wacky' and 'outrageous' personalities (sorry - 'personalities'), I viewed the character names as a good shortcut toward achieving my goals. When you hear the names 'Bo, Zippy and Faggot' you know EXACTLY what kind of shitheads these guys were.

 

Plus, let's be honest, I wanted to make people gasp a little. Not to be 'zany' and 'wacky' and 'outrageous,' but as a reminder that it wasn't so very long ago that this type of ignorant insult was much more commonplace and acceptable. People can use the disclaimer "It was a different time" all they want to explain the use of the slur, but they can never really excuse it.

 

And it made me laugh. Not the word itself, but the fact that it makes everyone so uncomfortable now. I knew I could get some jokes out of it. These shows ARE supposed to be funny, after all.

 

I turn the script in. The guys record it. All is right with the world.

 

Except it's not.

 

Before the next recording session, Michael tells me that Brian has had second thoughts about the use of the word. His concern (as I recall it) is that the script as written and recorded was too accepting of the term, and the characters never acknowledged its weight or showed any real reluctance to use it themselves.

 

I disagreed, for the reasons I've already stated above.

 

And I was wrong.

 

 

Not for using the word, but for not fully understanding the impact it would have on the characters - and the actors playing them. I know the intellectual reasons (sorry - 'intellectual reasons') I used it, and I stand by them. But in this age of instant and constant internet outrage I didn't take into account that a certain number of people would hear the word 'Faggot' and assume it was being used as an anti-gay slur, regardless of my intentions. I also didn't take into account the fact that I wasn't the one whose voice would be heard uttering that 'slur' - it was the actors who'd take most of the heat from angry misunderstanders.

 

So after a long and constructive discussion I made a few changes to the script which Brian felt clarified things to a point he was comfortable with. We re-recorded the lines, and this time all WAS right with the world.

 

Oh, and those changes? Made the script better. And funnier. Thanks, Brian.

 

So let me be clear: The word 'Faggot' is never used as a slur in this script. It is never used to describe a character's sexuality, and in fact sexuality never once comes up. I hate that I have to explain this, but - again - this IS the internet.

 

Plus it's funny. Deal with it.

 

Air Date: November 18, 2013

SIDESHOW LOUNGE

Episode #012

“ARGH”

Written by:

David Hines

 

OPEN: SSL THEME

 

BRIAN

You’re listening to SideShow

Lounge, live on KRFYN Radio,

121.5 FM. I’m Brian Hanson,

along with Sam Wolf and Pontius

Pilates. Tonight’s show promises

to tickle your funnybone and

send chills down your spine.

 

[Theme music ends.]

 

SAM

I’m Sam Wolf.

 

PONCH

And I’m Pontius Pilates. Call me

“Ponch.”

 

SAM

So how are you planning to chill our

funnybone and tickle our spine?

 

BRIAN

Did you know that in the mid-70’s,

KRFYN had the top-rated DJ’s in the

entire bi-state area – ‘Bo, Zippy

and Faggot?’

 

A MOMENT OF UNCOMFORTABLE SILENCE.

 

BRIAN (cont.)

It was a different time. A different,

terrible time. Anyway, they were hilarious.

I have some tapes of their old shows. This

first one was from February, 1976, during

the Winter Olympics in Innsbruck.

 

BRIAN PLAYS AN OLD, SCRATCHY TAPE OF A 37-YEAR OLD RADIO SHOW. ‘BO,’ ‘ZIPPY’ AND ‘FAGGOT’ ARE YOUR TYPICAL OBNOXIOUS MORNING-ZOO DJ’S.

 

BO

(on tape)

Hey, you see the figure skating at the

Olympics last night?

 

ZIPPY

(on tape)

Yeah! Dorothy Hamill brought home the

gold for Team USA!

[SFX ON TAPE: CROWD CHANTING ‘USA! USA!’ IS FADED UP AND THEN OUT.]

 

FAGGOT

(on tape)

I’d let her do a Camel Spin on my Triple

Salchow anytime – IF YOU KNOW WHAT I MEAN!

 

[SFX ON TAPE: A SLIDE-WHISTLE RISES, FOLLOWED BY A ‘BOING’ SOUND.]

 

BO & ZIPPY

(on tape – gently scolding)

Fa-ggot!

 

THE TAPE IS SHUT OFF.

 

PONCH

You’re right – that was spine-chilling.

 

BRIAN

C’mon! That’s classic stuff! Okay – you

want intellectual? They also did

political comedy.

 

BRIAN PLAYS ANOTHER OLD, SCRATCHY TAPE.

 

BO

(on tape)

So the presidential race is really

heating up.

 

ZIPPY

(on tape)

Yeah! It looks like it’s gonna be peanut

farmer Jimmy Carter going head-to-head

with President Ford.

 

FAGGOT

(on tape)

Great! Just what we need – a choice

between a goober... and a bigger

goober!

 

[SFX ON TAPE: OOGAH-HORN.]

 

BO & ZIPPY

(on tape – gently scolding)

Fa-ggot!

 

THE TAPE IS SHUT OFF.

 

SAM

Incisive.

 

PONCH

Cutting.

 

BRIAN

You guys don’t know genius when you hear

it.

 

PONCH

Why are you playing us this stuff?

 

SAM

Have we been bad?

 

BRIAN

No! I’m playing it because on July 3rd,

1976, Bo, Zippy and Faggot were all

killed in this very room in a tragic

porta-potty explosion.

 

SAM

Define ‘tragic.’

 

PONCH

Wait - a porta-potty explosion?

 

BRIAN

It was before the station could afford

plumbing.

 

PONCH

That doesn’t make sense. How does a

porta-potty just explode?

 

BRIAN

Well, it was burrito day in the cafeteria,

and things were getting...

 

SAM

... Burrito-y.

 

BRIAN

Right. So Faggot decided to light a match.

What he didn’t remember was the station

had stored all the fireworks for the 4th of

July Bicentennial show next to the potty. So...

 

PONCH & SAM

(gently scolding)

Fa-ggot!

 

BRIAN

Exactly. Here’s the headline in the newspaper

the next day.

[SFX: RUSTLING OF NEWSPAPER.]

 

SAM

(reading)

‘Red, White and Kerblooey’?

 

PONCH

This is fascinating and all, but I still

don’t get what the show is about.

 

BRIAN

This is the spine-chilling part! This

studio was rebuilt, and for the past 37

years people have been seeing and hearing

things that make them think it’s haunted.

 

PONCH

I’ve never seen or heard anything like

that. Sam?

 

SAM

No. And I’d remember, because I have a

notoriously weak bladder.

 

BRIAN

Last week I asked the ‘Arfyne Regional

Ghost Hunters’ – the biggest paranormal

investigators in the city – to spend the

night in the studio and see what they might

find.

 

PONCH

‘Arfyne Regional...’ They call themselves

‘ARGH?’

 

BRIAN

They were originally the ‘Arfyne Society

of Spiritualists, Hauntings, Occult,

Levitations and Extraterrestrials.’

SAM

(concentrating)

A-S-S-H-O-L... Got it. ‘ARGH’ it is.

 

BRIAN

So we’ve got the leader of ‘ARGH’ here

tonight, and he’s ready to reveal his

findings. Right after this break.

 

[COMMERCIAL BREAK]

 

BRIAN

We’re back in the SideShow Lounge with

the leader of the ‘Arfyne Regional Ghost

Hunters,’ Mr. Alistair Vincent Lovecraft.

 

LOVECRAFT

(grand and pompous)

Greetings to all those in this realm of

existence and the next.

 

PONCH

Riiiiiight.

 

SAM

‘Alistair Vincent Lovecraft.’ Is that

your real name?

 

LOVECRAFT

Yes.

 

SAM

Are you lying?

 

LOVECRAFT

Yes.

 

BRIAN

Mr. Lovecraft spent a night ‘locked down’

in our studio using all the technical

gadgetry modern ghost hunters use to

detect the presence of spirits.

LOVECRAFT

Along with all my hi-tech instruments

I also brought some ‘trigger objects’ –

objects the spirits may have been familiar

with in life that will ‘trigger’ a response.

 

PONCH

Like what?

 

LOVECRAFT

Well, I was aware the spirits had been

radio DJ’s in the mid-70’s, so I brought...

 

[SFX: RUMMAGING THROUGH KNAPSACK.]

 

LOVECRAFT (cont.)

... this slide whistle.

 

[SFX: SLIDE WHISTLE RISES AND FALLS.]

 

SAM

(bored)

Uh-huh.

 

[SFX: RUMMAGING THROUGH KNAPSACK.]

 

LOVECRAFT

This oogah-horn.

 

[SFX: OOGAH-HORN.]

 

PONCH

(bored)

Uh-huh.

 

[SFX: RUMMAGING THROUGH KNAPSACK.]

 

LOVECRAFT

And this kilo of cocaine.

 

[SFX: HEAVY THUD OF PACKAGE ON CONSOLE.]

 

PONCH

(no longer bored)

Oh-ho!

 

BRIAN

And what did you observe that night?

 

LOVECRAFT

First I noticed an oppressive atmosphere –

the air felt heavy and menacing.

 

PONCH

It WAS burrito day in the cafeteria...

 

LOVECRAFT

I felt my first course of action should

be an EVP session.

 

BRIAN

I’ve heard of those – that’s where you

can record ghosts’ voices and ask them

questions and stuff.

 

LOVECRAFT

In layman’s terms, yes. Using a digital

recorder, we are able to pick up words

and messages that we are unable to hear

with our mortal ears.

 

SAM

(excited)

You have metal ears?

 

LOVECRAFT

‘Mortal’ ears. As in human.

 

SAM

(disappointed)

Oh. That’s not nearly as cool.

 

BRIAN

Were you able to hear anything?

 

LOVECRAFT

I believe I was able to pick up a voice.

I’d like to play the recording for you,

but I’m not going to tell you what I

think it says, and let you judge for

yourselves.

 

[SFX: LOVECRAFT SETS UP HIS RECORDER.]

 

BRIAN

This is exciting! Isn’t this exciting, guys?

 

PONCH

That is a LOT of cocaine.

 

LOVECRAFT

All right. The first voice you’ll hear

will be me, and then you’ll hear what

I think is a response.

 

LOVECRAFT PLAYS A STATIC-Y, HISSY TAPE. WE HEAR HIS VOICE:

 

LOVECRAFT

(on tape)

I’m sorry you’re dead. Is it hard?

 

AFTER A MOMENT A DISTANT VOICE CAN HEARD, PARTIALLY OBSCURED BY THE STATIC HISS:

 

GHOSTLY VOICE
(on tape)

Aads whuh zhee zed.

 

[SFX: CLICK OF RECORDER TURNING OFF.]

 

LOVECRAFT

Did you hear that?

 

BRIAN

I definitely heard SOMETHING. Guys?

 

PONCH

Uh... it’s hard to make out. Was it

‘Fat Doug eats shit?’

 

SAM

I heard, ‘Cat farts smell bad.’

 

BRIAN

‘Albert’s wet the bed?’

 

PONCH

‘Rats’ butts are red?

 

SAM

‘Hands up, you fag?’
(a beat)

It was a different time. A different,

terrible time.

 

LOVECRAFT

(snaps, angrily)

No! It’s obviously ‘That’s what she said!’

Here...

 

LOVECRAFT PLAYS THE TAPE AGAIN.

 

LOVECRAFT

(on tape)

I’m sorry you’re dead. Is it hard?

 

THE GHOSTLY VOICE SPEAKS – WHAT IT’S SAYING IS NOW OBVIOUS:

 

GHOSTLY VOICE
(on tape)

That’s what she said.

 

[SFX: CLICK OF RECORDER TURNING OFF.]

 

BRIAN

Oh yeah!

 

PONCH

I hear it now!

 

SAM

At the very least it sounds like

they wrote it.

 

BRIAN

What does this mean?

 

LOVECRAFT

I believe it means the spirits are willing

to communicate with us. I suggest we hold

a séance to determine what they want.

 

PONCH

A séance? Like an everyone-hold-hands-and-

talk-to-dead-people séance?

 

LOVECRAFT

Is there any other kind?

 

PONCH

I was kind of hoping.

 

BRIAN

This is a radio first, ladies and

gentlemen! When we return from this

commercial break we will summon the

spirits of the dead that haunt this

studio!

 

SAM

Does anyone else have to pee?

 

[COMMERCIAL BREAK]

 

BRIAN

We’re back. During the break our guest

Alistair Vincent Lovecraft prepared

us to contact the spirits of Bo, Zippy

and Faggot – the former DJ’s who perished

in the porta-potty/fireworks explosion

of July 3, 1976. Are you ready, Alistair?

 

LOVECRAFT

Yes. I have lit the sacramental candles. I

have placed our trigger objects on the console.

The slide whistle...

 

[SFX: SLIDE WHISTLE RISES AND FALLS.]

 

LOVECRAFT (cont.)

... The oogah-horn...

 

[SFX: OOGAH-HORN.]

 

LOVECRAFT (cont.)

... And our kilo of... Where is the kilo

of cocaine?

 

PONCH

Oh! I’ve got it. Just, y’know, keepin’

it safe. Last thing you need is a coked

up ghost.

 

LOVECRAFT

Uh-huh. Now if we could please turn off

the lights.

 

[SFX: A CLICK AS THE LIGHTS ARE TURNED OFF.]

 

LOVECRAFT

(calls out dramatically)

I am speaking to the spirits of Bo, Zippy

and/or Faggot! Can you hear my voice? If

there is any message you would like to impart,

please do so now!

 

[SFX: SNIFFING AND SNORTING SOUNDS FROM PONCH.]

BRIAN

(whispers angrily)

Ponch! What are you- -

 

PONCH
(cuts in quickly)

What? Nothing! Seancing! Allergies!

 

LOVECRAFT

Bo, Zippy, Faggot – please pierce the veil

of death and speak to us!

 

A VOICE SUDDENLY SPEAKS FROM OUT OF NOWHERE. IT SEEMS TINNY, AS THOUGH COMING FROM A DISTANCE.

 

FAGGOT

Hello? Is someone there?

 

SAM

No. Way.

 

PONCH

Great. Coke.

 

LOVECRAFT

Is this Bo, Zippy or Faggot I am speaking to?

 

FAGGOT

Um, technically it’s Faggot, but I’d really

prefer you called me Kevin.

 

LOVECRAFT

Is ‘Kevin’ your spirit name?

 

FAGGOT

No, it’s my actual name. Look, who am I

talking to?

 

LOVECRAFT

(grandly)

This is Alistair Vincent Lovecraft the Third!

 

SAM

Did you just add ‘The Third?’

 

LOVECRAFT

(grandly)

Yes.

 

FAGGOT

Yeah, look, I want to talk to that Brian

guy.

 

BRIAN

(uncertain, scared)

I’m Brian. Uh... from what dimension are

you contacting us, Faggot?

 

FAGGOT

Kevin. It’s Kevin. And I’m not calling from

some ‘dimension,’ I’m calling from Atro City.

 

PONCH

(whispers)

He went to Hell!

 

FAGGOT

No, I didn’t...
(sighs)

Didn’t that Igor dude tell you I was calling?

 

BRIAN

(realizing)

Oh, for cryin’...

 

[SFX: INTERCOM SWITCH BEING THROWN.]

 

BRIAN (cont.)

Igor! Are you out there?

 

IGOR

(over intercom)

I am, my liege. Indeed. Body and spirit.

I make a little joke, you see.

 

BRIAN

Did you patch in this phone call from

Faggot without telling me?

 

FAGGOT

Kevin.

 

IGOR

(over intercom)

Yes, I did, sir. I thought it would

add to the ambience of the séance and

the occulting and the whatnot. Plus

I know Sam has a notoriously weak

bladder, you see. I thought perhaps

I could trigger a reaction as it were,

leading to an explosion of moistness

that- - -

 

[SFX: INTERCOM SWITCH BEING THROWN, CUTTING OFF IGOR.]

 

BRIAN

(takes deep, calming breath)

So. Faggot. I’m guessing you’re not

actually dead.

 

FAGGOT

No. And seriously, guys – Kevin. My name

is Kevin. It was a different time. A

different, terrible time.

 

LOVECRAFT

So I am to believe, sir, that Misters Bo

and Zippy were killed in the July 3rd

explosion, while you alone escaped?

 

FAGGOT

Nope. We were all fine. I mean, we were

shitcanned on the spot and now I have to

draw my eyebrows on with a Magic Marker,

but we didn’t die.

 

BRIAN

So why’d you guys just disappear?

 

FAGGOT

Ratings had been dropping for about a year,

so management decided it was the perfect

opportunity to rebuild and institute an

‘All Country/Racist format.’

 

SAM

(calls out dramatically)

I am now speaking to the spirit of Mr.

Faggot...

 

PONCH

He’s not dead, Sam. He’s on the phone.

 

FAGGOT

And honestly. I’m begging you. Kevin.

 

SAM

Oh. So why’d you call in?

 

FAGGOT

I was listening to the show and wanted

to set the record straight. I wanted

people to know I’m alive and well and

working as the night cashier at Toby’s

Fuck Hut. Things couldn’t be better.

 

SAM

That may be the saddest thing I’ve ever

heard anyone say out loud.

 

BRIAN

So this was all bullshit.

 

LOVECRAFT

(grandly)

Yes.

 

BRIAN

Okay, we’re done here. This has been

SideShow Lounge, from the apparently

NOT haunted studios of KRFYN. I’m

Brian Hanson...

 

PONCH

I’m Pontius Pilates...

 

SAM

(exaggerated ghost voice)

And I’m the ghost of Saaaaaam Woooolf.

 

BRIAN, PONCH & SAM

Goodnight!

 

THE SHOW ENDS, BUT WE CONTINUE TO LISTEN AS THE GUYS PACK UP THEIR BELONGINGS AND LEAVE, UNAWARE THEY ARE BEING HEARD.

 

PONCH

Great show, Brian. You definitively

proved nothing was going on.

 

BRIAN

Just like your career.
(to Faggot)

And thanks for calling in, Kevin.

 

FAGGOT

Kevin! It’s Kevin, you stupid son-of-a...

Oh, that’s what you said...

 

[SFX: CLICK AND DIAL-TONE AS FAGGOT IS CUT OFF. GENERAL RUSTLING AND WALKING SOUNDS AS EVERYONE HEADS FOR THE DOOR. THEIR VOICES GET QUIETER AS THEY RECEDE.]

 

BRIAN

(sarcastically)

And thank YOU, Alistair. Nice job

hunting those ghosts.

 

LOVECRAFT

Have any of you gentlemen seen my

cocaine?

 

PONCH

We’ll talk about it in the parking lot.

 

SAM

My crotch is completely soaked...

 

[SFX: DOOR CLOSING AS THEY LEAVE. THE STUDIO IS SILENT A MOMENT. THEN, VERY QUIETLY, WE HEAR A GHOSTLY VOICE SPEAK SOFTLY INTO THE MICROPHONE.]

 

GHOSTLY VOICE

That’s what she said.

 

[ENDING & OUTTRO.]

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