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Special Episode: 'The Envelope Please'

 

Years ago I had someone tell me I had the ability to "still be really funny when you're mad." I considered that a great compliment then, and still do. This script would fall into the 'funny when I'm mad' category.

 

Kinda.

 

I don't actually get 'mad' about the Oscars anymore. Because what's the point? They aren't a true barometer of quality. They're a yearly telethon for the movie business. An attempt to retain a sense of glamour in an industry that gives us endless sequels, unnecessary remakes and the continued existence of Michael Bay.

 

So, like I said, I don't really get angry about the Oscars anymore.

 

But I'd be lying if I said they didn't annoy the living fuck out of me sometimes.

 

Some of it has to do with the horrible phoniness of the whole process, from the ad campaigns to the voting process through to the ceremony itself. (I know, I know - getting angry at Hollywood for being phony is like getting mad at the Sun for being hot. BELIEVE ME I know.) But the majority of my annoyance comes from one question: Why CAN'T they be a barometer of quality?

 

I'll tell you why. Because Hollywood doesn't think their audience is stupid... they don't suspect their audience is stupid... they KNOW their audience is stupid. The Oscars are phony because you're dumb. Or at least an undiscriminating consumer. They know you don't give a rat fuck about quality, you want to see your favorites win.

 

And here's where the hypocritical tightrope walk begins. See, the Academy of Motion Picture Arts and Sciences wants to be taken seriously. They want to be seen honoring meaningful films. But they also want people to watch their annual coming out party. This means finding those films that are considered 'prestigious' enough to represent 'Hollywood at its finest,' while still narrowing the list to films enough of the general public has either seen or heard about to provide a rooting interest in the Oscar popularity contest.

 

And truthfully - in comparison to other awards shows - they actually do an okay job. Want to see the nightmarish clusterfuck brought about by letting the public 

 

 

vote for their favorite entertainment and entertainers? Check out the MTV Movie Awards or the Teen Choice Awards sometime. It's the difference between eating a fine steak at a fancy restaurant and scarfing down a soggy tuna sandwich you found in a urinal. So, y'know, at least it's not THAT.

 

There's the tag line for the next Oscars telecast! 'The Oscars - Better Than A Soggy Tuna Sandwich You Found In A Urinal!' And I guess that's the basis for my annoyance. I love movies. I've lived a lot of my life writing and making them. They're important to me. I wish on their biggest night, when they're most visible on the world stage, the best of them were treated with the respect given other great works of art... instead of just another consumer product to be sold to the lowest common denominator.

 

So this year I decided to channel my annual Oscar annoyance into a SideShow Lounge script. I had fun using the familiar awards show format and twisting it to my cynical desires. Why did it air 7 months after the actual Oscar ceremony? Because I screwed up. When I wrote the script, we had moved the characters from the radio station into Igor's castle - which is where I set this episode. Unfortunately I hadn't taken into account that at the time of the Oscars we were still airing episodes from BEFORE that move had been made. Whoops. And none of us caught it until after the show had been recorded. Double whoops. So we held it until it fit with our timeline and continuity.

 

While a few topical jokes may not be as springtime fresh as they might have been around the time of the awards ceremony (my potshots at Spike Jonze, Christian Bale and David O. Russell might require you to think back a bit), I think ultimately the episode satirizes the awards show form and attitude itself - which we're all so familiar with it doesn't matter WHEN we hear it.

 

I especially had fun writing for Michael's impression of John Rhys-Davies - which has quickly become one of my favorite characters. I also had fun with Igor's acceptance speech, which hits the beats of most crappy acceptance speeches: mention the surprising weight of the trophy... dedicate the award to a dead parent/mentor "who is looking down tonight"... make a self-serving and ultimately impotent political statement about the suffering of people in an impoverished nation while wearing a gown worth enough to feed them all for a year, etc. And for the record, the part of Igor's speech at the end where he totally goes off the rails and sounds like he's speaking gibberish? 90% of that is VERBATIM from Roberto Benigni's Life Is Beautiful acceptance speech (with a few snide editorial comments tossed in).

 

I really like the way this one turned out, in large part thanks to Jessica Conrad's editing and post-production skills - she succeeds in making it sound like a heightened version of the same awards shows we've all been watching forever. Have a listen, read the script, enjoy.

 

Air Date: Sept. 8, 2014

SIDESHOW LOUNGE

Special Episode

“THE ENVELOPE PLEASE”

Written by:

David Hines

 

AN ANNOUNCER SPEAKS OVER A P.A. THERE’S A SLIGHT ECHO, THE VOICE PUMPED INTO A LARGE THEATRE/AUDITORIUM.

 

ANNOUNCER

To present the Oscar for Best

Performance by an Actor in a

Leading Role – you know him as

Sallah in Raiders of the Lost

Ark, Gimli in The Lord of the

Rings, and the voice of Gnarlybeard

in Scooby Doo Adventures: The

Mystery Map – John Rhys-Davies!

 

[SFX: AUDIENCE APPLAUSE. AN ORCHESTRA PLAYS THE FAMOUS FIRST SEVEN NOTES OF THE RAIDERS OF THE LOST ARK THEME. MUSIC AND APPLAUSE TAIL OFF.]

 

JOHN RHYS-DAVIES

Thank you. You are too kind. Before

I present this prestigious award, I

feel I must first apologize for my

quite obvious and conspicuously

throbbing erection. As many of you

are no doubt aware, I am a spokesman

for Vigora – a combination penis

enhancer and boner pill from my good

friends at Toxichem. I took a handful

of these remarkable little pills a

couple months ago and it’s been this

way ever since. I have come to accept

it is now a part of me – as obvious as

the nose on my facelift. It simply

resists all efforts to return to a

state of relaxation. It has turned

colors I’ve never seen appear in nature.

I feel I will surely die soon.

 

The nominees for Best Performance by an

Actor in a Leading Role are...

 

[SFX: SOFT ORCHESTRAL MUSIC PLAYS UNDER THE ANNOUNCEMENTS.]

 

JOHN RHYS-DAVIES (cont.)

In the role of an immature, emotionally

retarded sociopath who only hipsters and

online movie critics can identify with –

Joaquin Phoenix as Benedict Whimsypants

in Spike Jonze’s Man-Child.

 

[SFX: AUDIENCE APPLAUDS.]

 

JOHN RHYS-DAVIES (cont.)

An entertainment legend engages in a top

secret mission during World War II, the

details of which have only recently been

revealed – Tom Hanks as Walt Disney in

Saving Mr. Hitler.

 

[SFX: AUDIENCE APPLAUDS.]

 

JOHN RHYS-DAVIES (cont.)

As a handsome, suave and seductive hit-man

who makes murder-for-money look so wildly

entertaining that idiots find it glamorous –

Leonardo DiCaprio won’t win as Jimmy ‘The

Testicle’ Gamboolie in Martin Scorsese’s

Fuhgeddabouddit.

 

[SFX: AUDIENCE APPLAUDS.]

 

JOHN RHYS-DAVIES (cont.)

Playing a veteran returning from Iraq after

suffering a terrible wound, Christian Bale

actually had his left leg amputated below

the knee for his role in David O. Russell’s

No, Seriously, I Swear Somebody Told Me Legs

Grow Back.

 

[SFX: AUDIENCE APPLAUDS.]

 

JOHN RHYS-DAVIES (cont.)

And finally, in his first screen role, playing

himself in the autobiographical tale of his

heroic battle with physical deformity, mental

instability, and general ookie-ness – Igor

Stravinsky in Humped: A Hunchback’s Tale.

 

[SFX: AUDIENCE APPLAUDS.]

 

JOHN RHYS-DAVIES (cont.)

And the Oscar goes to...

 

[SFX: DRUMROLL MUSIC. THE SOUND OF AN ENVELOPE BEING FUMBLED OPEN.]

 

JOHN RHYS-DAVIES (cont.)

... Igor Stravinsky for Humped: A

Hunchback’s Tale!

 

[SFX: AUDIENCE APPLAUDS. WEIRD, DISCORDANT MUSIC PLAYS – OBVIOUSLY THE THEME FOR IGOR’S MOVIE. THE ANNOUNCER SPEAKS OVER THE P.A. AS IGOR MAKES HIS WAY TO THE STAGE.]

 

ANNOUNCER

This is Igor Stravinsky’s first nomination

and first Oscar win! He previously worked

as cook, janitor, and general slave labor

at KRFYN Radio in Arfyne City, where all

his former co-workers are now probably sorry

they treated him so poorly.

 

IGOR STEPS TO THE MICROPHONE.

 

IGOR

Thank you, Mr. Boner-Pants. Oooh, the

little statue-man is heavy, don’t you

know.

 

[SFX: AUDIENCE CHUCKLES.]

 

IGOR (cont.)

First I want to dedicate this trophy

to my management team over at ICBM

there. Swifty, Crafty, Noodles, B.O.,

Grumpy, Sneezy, Donner, Blitzen – I

couldn’t have done it without you

believing in me... especially when

I said the gun was loaded and I wasn’t

leaving your office without a deal.

 

[SFX: AUDIENCE APPLAUDS.]

 

I want to dedicate my triumphantness to

my former mento, Dr. Master, who could

not be here tonight due to his being

dead. But I’m sure whatever level of Hell

he’s on, he’s looking up at me proudly!

When he’s not having the hot pokers and

the pitchforks crammed up his owie places,

that is.

 

[SFX: AUDIENCE APPLAUDS.]

 

Of course while we’re here with all the

cocktail weenies and the other kinds of

weenies we must remember the starving

refugees in war-torn Middle Earth, where

things are so bad they make midgets climb

volcanos just to return jewelry. They need

to know they are not alone in their struggle

against the big flaming eyeball-vagina. I

dedicate this victory to them, so they know

we’re with them in spirit, even though if

they were here we’d never let them into the

building because no gowns.

 

[SFX: AUDIENCE APPLAUDS.]

 

This is a moment of joy and I want to kiss

everybody because you are the makers of the

joy, you see. ‘He who kisses the joy as it

flies lives in eternity sunrise,’ said the

poet or some other asshole. I would like to

kidnap everybody and lie down in the firmament

making love to everybody, because I don't know

how to express gratitude except with my penis.

This is a mountain of suavity and the kindness

is something I cannot forget, from the bottom

of my heart to the tingles in my ballsack.

Speaking of which, is there a doctor in the

house? Because my ballsack has been tingling a

lot lately and I’m thinking that it’s not a

natural thing but is something I should probably

get poked at.

 

[SFX: AUDIENCE APPLAUDS.]

 

Oh, and thanks to all my friends at KRFONE-

except-after-C back in Arfyne City there.

Without your inspiration to never see you

all again, I’d still be cleaning a moat with

a toilet brush instead of about to sex-touch

most of the members of the Academy. Thank you!

 

[SFX: THE AUDIENCE ERUPTS IN ENTHUSIASTIC APPLAUSE. SOME BEGIN CHANTING ‘IGOR! IGOR!’ THE SOUND OF THE AUDIENCE GRADUALLY FADES, THE SHOUTS OF ‘IGOR’ BECOMING...]

 

PONCH

Igor! Igor! Igor, wake up! Are you

okay?

 

IGOR

(groggy, waking up)

Ooooh. Posh? What are you doing

onstage? Don’t you know John

Travolta will try and sex massage

you?

 

BRIAN

What are you talking about? What

stage? You fell from the parapet

while scraping bird poop off the

gargoyle of Eddie Deezen.

 

SAM

We thought you were a goner for

sure! Luckily you landed on your

back and your hump acted like an

air bag!

 

BRIAN

Sounds like you were having quite a

dream, there, buddy. Having massage

sex on a stage with John Travolta?

Pretty nuts.

 

PONCH

Speak for yourself.

 

SAM

Oh, Ponch...

 

PONCH

Hey! Tell me if he was dressed like

Danny Zuko you’d say no!

 

BRIAN

Let’s get you to your feet, Igor.

 

[SFX: BRIAN HELPS IGOR TO HIS FEET.]

 

BRIAN (cont.)

You gonna be okay, pal?

IGOR

I believe so. My ears are ringing

and my hump’s gonna be sore – plus

there’s the aforementioned ballsack

tingling – but I think I’m okay.

 

BRIAN

Awesome. That bird poop’s not gonna

scrape itself! Back up you go!

 

[SFX: BRIAN, PONCH AND SAM AD-LIB AS THEY MOVE AWAY.]

 

IGOR

(mutters)

I need to get me one of those Oscar mans –

I bet they scrape bird poop like no one’s

business. Oh! And some of those Vigora pills

for the everlasting bone-haver!

 

[SFX: IGOR BADLY HUMS THE FIRST SEVEN NOTES OF THE RAIDERS OF THE LOST ARK THEME AS HE MOVES OFF.]

 

JOHN RHYS-DAVIES

Hello! This is John Rhys-Davies

again, to assure the members of

the Academy of Motion Picture Arts

and Sciences that we here at

SideShow Lounge have no intention

of inappropriately sex-touching

the vast majority of you. Though

if I was Sidney Poitier I’d invest a

few extra dollars in home security,

if you know what I’m saying.

 

I would also like to apologize to

Mr. Michael Douglas for giving him

that free bottle of Vigora – but

remind him that the skin being

pulled away from his groin will

undoubtedly tighten up his jowls.

So... y’know... there’s that.

 

[ENDING & OUTRO.]

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